Megan Scollo's profile

INSPIRATION: Melissa Williams

Eclipse Gallery Artwork -
'Mother Earth'
100x64cm Canvas Art Print.
Mixed media digital art: Watercolour painting, digital illustration and photographic collage.
Eclipse Gallery Artwork -
'Mother Earth'
100x64cm Canvas Art Print.
Mixed media digital art: Watercolour painting, digital illustration and photographic collage.
Eclipse Gallery Artwork -
'Mother Earth'
100x64cm Canvas Art Print.
Mixed media digital art: Watercolour painting, digital illustration and photographic collage.
Eclipse Gallery Artwork -
'Mother Earth'
100x64cm Canvas Art Print.
Mixed media digital art: Watercolour painting, digital illustration and photographic collage.
Eclipse Gallery Art -
"Illusion"
88x75cm Canvas Art Print.
Mixed media digital art: Watercolour and acrylic painting, pen and ink drawing, digital illustration, photographic collage.
A distortion of the senses. A false or misleading impression of reality.
 
Eclipse Gallery Art -
"Illusion"
88x75cm Canvas Art Print.
Mixed media digital art: Watercolour and acrylic painting, pen and ink drawing, digital illustration, photographic collage.
A distortion of the senses. A false or misleading impression of reality.
 
Eclipse Gallery Art -
"Illusion"
88x75cm Canvas Art Print.
Mixed media digital art: Watercolour and acrylic painting, pen and ink drawing, digital illustration, photographic collage.
A distortion of the senses. A false or misleading impression of reality.
 
Eclipse Gallery Art -
"Illusion"
88x75cm Canvas Art Print.
Mixed media digital art: Watercolour and acrylic painting, pen and ink drawing, digital illustration, photographic collage.
A distortion of the senses. A false or misleading impression of reality.
 
Commission art piece.
Stretched canvas print 100x85cm.
Commission art piece.
Stretched canvas print 100x85cm.
Commission art piece.
Stretched canvas print 100x85cm.
Commission art piece.
Stretched canvas print 100x85cm.
"Transcendence" - 82x76cm canvas art print.
Limited Edition Print. Purple colourway.
Based on artwork designed for Melanie Spears - "Soul & Money".
This piece was created for the spiritual being in search of answers. It touches on personal growth, values, meditation, motivation, spiritual awakening, hidden belief patterns, freedom, and peace within oneself.
"Transcendence" - 82x76cm canvas art print.
Limited Edition Print. Purple colourway.
Based on artwork designed for Melanie Spears - "Soul & Money".
This piece was created for the spiritual being in search of answers. It touches on personal growth, values, meditation, motivation, spiritual awakening, hidden belief patterns, freedom, and peace within oneself.
"Transcendence" - 82x76cm canvas art print.
Limited Edition Print. Purple colourway.
Based on artwork designed for Melanie Spears - "Soul & Money".
This piece was created for the spiritual being in search of answers. It touches on personal growth, values, meditation, motivation, spiritual awakening, hidden belief patterns, freedom, and peace within oneself.
"Transcendence" - 82x76cm canvas art print.
Limited Edition Print. Purple colourway.
Based on artwork designed for Melanie Spears - "Soul & Money".
This piece was created for the spiritual being in search of answers. It touches on personal growth, values, meditation, motivation, spiritual awakening, hidden belief patterns, freedom, and peace within oneself.
*Misprint* | Psychedelic organic illustration.
Melbourne, Australia.
0408392146
*Misprint* | Psychedelic organic illustration.
Melbourne, Australia.
0408392146
*Misprint* | Psychedelic organic illustration.
Melbourne, Australia.
0408392146
*Misprint* | Psychedelic organic illustration.
Melbourne, Australia.
0408392146
WHO DID THE WORK?
 
Melissa Williams is a freelance artist / graphic designer from Melbourne. She works from home and in a studio called "Misprint". What inspires me the most about Melissa is that she is still an artist on the side and encorporates the hand-made, personal appeal from her artwork into her graphic design work. I find more and more that as technology increases and programs become easier to use and with more intricate tools, the human hand and spontaneous creativity is somewhat lost. I remember studying architecture at RMIT in Melbourne City and watching as other students used CAD and Rhino, while I bent over my set square and ruller and drew every line by hand. I understood the work more and I could feel how it fit together.
Melissa says she loves "anything hand done! So you will find a lot of paints, pens, pencils, markers, inks, brushes. A decent scanner and an a3 Epson canvas printer in my arsenal!"
 
WHO IS THE WORK FOR AND WHAT WAS THEIR BREIF?
 
Melissa is an artist on the side and exhibit's her work at various festivals, markets, bars and cafes in the city, and has had a few exhibitions in gallery spaces. She also does commission artwork for clients, as well as offer my graphic design services. The work is very illustration based, detailed and intricate.
Taking a look at her website, it is obvious that the range of graphic design styles she takes on is huge; from minimal graphic design website work, to simple logos, brochures, to detailed creative album covers, bed linen, kids designs, tattoos, posters, signage, identity, t-shirts etc. Some designers only have one specific style, while others can work on anything and everything which seems to be the case for Melissa.
 
WHAT ARE THE THEMES OF THE WORK, HOW ARE THEY SOLVES AND WHAT OTHER ART FORMS HAVE INFLUENCED THE WORK?
 
During Melissa's 3 year Visual Communications course at Monash, all her projects were steering towards a textile illustration style, she was using a lot of fabrics and patters and illustration was her main focus. After uni she secured a job at Linen House, a textile and Manchester company in Moorabbin. She spent the next 3 years at linen house designing for companies such as Target, Big W, Myer and Adairs, Linen House which taught her everything she needed to know about textile design. After this she travelled the world for a year, becoming more and more inspired by the beautiful art different countries had to offer. It was this experience that prompted Melissa to start up her own little freelance business.
 
It is obvious that her favourite themes are music based, as she has designed many album covers and worked for just as many musicians. This work is very creative and dramatic. In an interview with TopDesigners she stated:
 
"You always have to keep the customer happy, even if it means sacrificing your design style and sticking with the clients ugly ideas. In the end it’s their final decision, whatever looks right in their eyes for their company, you as the designer can only advise them to what looks best. And half the time they never listen. I have had my fair share of cringe worthy ugly designs to keep the client happy. The best projects are the clients who approach me for my artistic style. They know the work and my style and have seen me exhibit at various places, so they trust me and leave all the creative part purely to me. These are the projects that really enhance my folio, and that I love working on."
 
Creative process:
1. Start with thorough research- on the net searching for current designs and similar ideas, and looking through magazines and cut outs collected.
2. Once a few ideas have been generated, the design process starts with concept sketches and ideas being sent through to the client.
3. Once you’ve got some sort of approval for the style you are heading towards, move forward and develop one of the concepts further to a final stage.
4. It’s then sent back to the client for their suggestions and changes
5.  then finalized into a print ready piece of artwork.
 
 
 
WHO DID THE WORK?
 
Melissa Williams is a freelance artist / graphic designer from Melbourne. She works from home and in a studio called "Misprint". What inspires me the most about Melissa is that she is still an artist on the side and encorporates the hand-made, personal appeal from her artwork into her graphic design work. I find more and more that as technology increases and programs become easier to use and with more intricate tools, the human hand and spontaneous creativity is somewhat lost. I remember studying architecture at RMIT in Melbourne City and watching as other students used CAD and Rhino, while I bent over my set square and ruller and drew every line by hand. I understood the work more and I could feel how it fit together.
Melissa says she loves "anything hand done! So you will find a lot of paints, pens, pencils, markers, inks, brushes. A decent scanner and an a3 Epson canvas printer in my arsenal!"
 
WHO IS THE WORK FOR AND WHAT WAS THEIR BREIF?
 
Melissa is an artist on the side and exhibit's her work at various festivals, markets, bars and cafes in the city, and has had a few exhibitions in gallery spaces. She also does commission artwork for clients, as well as offer my graphic design services. The work is very illustration based, detailed and intricate.
Taking a look at her website, it is obvious that the range of graphic design styles she takes on is huge; from minimal graphic design website work, to simple logos, brochures, to detailed creative album covers, bed linen, kids designs, tattoos, posters, signage, identity, t-shirts etc. Some designers only have one specific style, while others can work on anything and everything which seems to be the case for Melissa.
 
WHAT ARE THE THEMES OF THE WORK, HOW ARE THEY SOLVES AND WHAT OTHER ART FORMS HAVE INFLUENCED THE WORK?
 
During Melissa's 3 year Visual Communications course at Monash, all her projects were steering towards a textile illustration style, she was using a lot of fabrics and patters and illustration was her main focus. After uni she secured a job at Linen House, a textile and Manchester company in Moorabbin. She spent the next 3 years at linen house designing for companies such as Target, Big W, Myer and Adairs, Linen House which taught her everything she needed to know about textile design. After this she travelled the world for a year, becoming more and more inspired by the beautiful art different countries had to offer. It was this experience that prompted Melissa to start up her own little freelance business.
 
It is obvious that her favourite themes are music based, as she has designed many album covers and worked for just as many musicians. This work is very creative and dramatic. In an interview with TopDesigners she stated:
 
"You always have to keep the customer happy, even if it means sacrificing your design style and sticking with the clients ugly ideas. In the end it’s their final decision, whatever looks right in their eyes for their company, you as the designer can only advise them to what looks best. And half the time they never listen. I have had my fair share of cringe worthy ugly designs to keep the client happy. The best projects are the clients who approach me for my artistic style. They know the work and my style and have seen me exhibit at various places, so they trust me and leave all the creative part purely to me. These are the projects that really enhance my folio, and that I love working on."
 
Creative process:
1. Start with thorough research- on the net searching for current designs and similar ideas, and looking through magazines and cut outs collected.
2. Once a few ideas have been generated, the design process starts with concept sketches and ideas being sent through to the client.
3. Once you’ve got some sort of approval for the style you are heading towards, move forward and develop one of the concepts further to a final stage.
4. It’s then sent back to the client for their suggestions and changes
5.  then finalized into a print ready piece of artwork.
 
 
 
WHO DID THE WORK?
 
Melissa Williams is a freelance artist / graphic designer from Melbourne. She works from home and in a studio called "Misprint". What inspires me the most about Melissa is that she is still an artist on the side and encorporates the hand-made, personal appeal from her artwork into her graphic design work. I find more and more that as technology increases and programs become easier to use and with more intricate tools, the human hand and spontaneous creativity is somewhat lost. I remember studying architecture at RMIT in Melbourne City and watching as other students used CAD and Rhino, while I bent over my set square and ruller and drew every line by hand. I understood the work more and I could feel how it fit together.
Melissa says she loves "anything hand done! So you will find a lot of paints, pens, pencils, markers, inks, brushes. A decent scanner and an a3 Epson canvas printer in my arsenal!"
 
WHO IS THE WORK FOR AND WHAT WAS THEIR BREIF?
 
Melissa is an artist on the side and exhibit's her work at various festivals, markets, bars and cafes in the city, and has had a few exhibitions in gallery spaces. She also does commission artwork for clients, as well as offer my graphic design services. The work is very illustration based, detailed and intricate.
Taking a look at her website, it is obvious that the range of graphic design styles she takes on is huge; from minimal graphic design website work, to simple logos, brochures, to detailed creative album covers, bed linen, kids designs, tattoos, posters, signage, identity, t-shirts etc. Some designers only have one specific style, while others can work on anything and everything which seems to be the case for Melissa.
 
WHAT ARE THE THEMES OF THE WORK, HOW ARE THEY SOLVES AND WHAT OTHER ART FORMS HAVE INFLUENCED THE WORK?
 
During Melissa's 3 year Visual Communications course at Monash, all her projects were steering towards a textile illustration style, she was using a lot of fabrics and patters and illustration was her main focus. After uni she secured a job at Linen House, a textile and Manchester company in Moorabbin. She spent the next 3 years at linen house designing for companies such as Target, Big W, Myer and Adairs, Linen House which taught her everything she needed to know about textile design. After this she travelled the world for a year, becoming more and more inspired by the beautiful art different countries had to offer. It was this experience that prompted Melissa to start up her own little freelance business.
 
It is obvious that her favourite themes are music based, as she has designed many album covers and worked for just as many musicians. This work is very creative and dramatic. In an interview with TopDesigners she stated:
 
"You always have to keep the customer happy, even if it means sacrificing your design style and sticking with the clients ugly ideas. In the end it’s their final decision, whatever looks right in their eyes for their company, you as the designer can only advise them to what looks best. And half the time they never listen. I have had my fair share of cringe worthy ugly designs to keep the client happy. The best projects are the clients who approach me for my artistic style. They know the work and my style and have seen me exhibit at various places, so they trust me and leave all the creative part purely to me. These are the projects that really enhance my folio, and that I love working on."
 
Creative process:
1. Start with thorough research- on the net searching for current designs and similar ideas, and looking through magazines and cut outs collected.
2. Once a few ideas have been generated, the design process starts with concept sketches and ideas being sent through to the client.
3. Once you’ve got some sort of approval for the style you are heading towards, move forward and develop one of the concepts further to a final stage.
4. It’s then sent back to the client for their suggestions and changes
5.  then finalized into a print ready piece of artwork.
 
 
 
WHO DID THE WORK?
 
Melissa Williams is a freelance artist / graphic designer from Melbourne. She works from home and in a studio called "Misprint". What inspires me the most about Melissa is that she is still an artist on the side and encorporates the hand-made, personal appeal from her artwork into her graphic design work. I find more and more that as technology increases and programs become easier to use and with more intricate tools, the human hand and spontaneous creativity is somewhat lost. I remember studying architecture at RMIT in Melbourne City and watching as other students used CAD and Rhino, while I bent over my set square and ruller and drew every line by hand. I understood the work more and I could feel how it fit together.
Melissa says she loves "anything hand done! So you will find a lot of paints, pens, pencils, markers, inks, brushes. A decent scanner and an a3 Epson canvas printer in my arsenal!"
 
WHO IS THE WORK FOR AND WHAT WAS THEIR BREIF?
 
Melissa is an artist on the side and exhibit's her work at various festivals, markets, bars and cafes in the city, and has had a few exhibitions in gallery spaces. She also does commission artwork for clients, as well as offer my graphic design services. The work is very illustration based, detailed and intricate.
Taking a look at her website, it is obvious that the range of graphic design styles she takes on is huge; from minimal graphic design website work, to simple logos, brochures, to detailed creative album covers, bed linen, kids designs, tattoos, posters, signage, identity, t-shirts etc. Some designers only have one specific style, while others can work on anything and everything which seems to be the case for Melissa.
 
WHAT ARE THE THEMES OF THE WORK, HOW ARE THEY SOLVES AND WHAT OTHER ART FORMS HAVE INFLUENCED THE WORK?
 
During Melissa's 3 year Visual Communications course at Monash, all her projects were steering towards a textile illustration style, she was using a lot of fabrics and patters and illustration was her main focus. After uni she secured a job at Linen House, a textile and Manchester company in Moorabbin. She spent the next 3 years at linen house designing for companies such as Target, Big W, Myer and Adairs, Linen House which taught her everything she needed to know about textile design. After this she travelled the world for a year, becoming more and more inspired by the beautiful art different countries had to offer. It was this experience that prompted Melissa to start up her own little freelance business.
 
It is obvious that her favourite themes are music based, as she has designed many album covers and worked for just as many musicians. This work is very creative and dramatic. In an interview with TopDesigners she stated:
 
"You always have to keep the customer happy, even if it means sacrificing your design style and sticking with the clients ugly ideas. In the end it’s their final decision, whatever looks right in their eyes for their company, you as the designer can only advise them to what looks best. And half the time they never listen. I have had my fair share of cringe worthy ugly designs to keep the client happy. The best projects are the clients who approach me for my artistic style. They know the work and my style and have seen me exhibit at various places, so they trust me and leave all the creative part purely to me. These are the projects that really enhance my folio, and that I love working on."
 
Creative process:
1. Start with thorough research- on the net searching for current designs and similar ideas, and looking through magazines and cut outs collected.
2. Once a few ideas have been generated, the design process starts with concept sketches and ideas being sent through to the client.
3. Once you’ve got some sort of approval for the style you are heading towards, move forward and develop one of the concepts further to a final stage.
4. It’s then sent back to the client for their suggestions and changes
5.  then finalized into a print ready piece of artwork.
 
 
 
INSPIRATION: Melissa Williams
Published:

INSPIRATION: Melissa Williams

Inspiration

Published: